Saturday, July 27, 2024

KAIVALYA PADA (SUTRA FROM 23 TO 34)





                            THE MIND AND THE BODY


                                                                           ❤❤

                                           

              


                                           

          

                           SUTRA 23 👀


                    DRASTR-DRSYA-UPARAKTAM CITTAM SARVA-ARTHAM


                   ALL MEANING IS KNOWN TO THE MIND, BECAUSE OF THE SEER AND THE SEEN.


                 THE EXPERIENCE OF THE SEEN WORLD HELP TO FIND THE DISTINCTION BETWEEN THE SEER AND SEEN. WHEN THE DISTINCTION IS NOT SEEN, THERE IS BONDAGE. WHEN THIS DISTINCTION IS UNDERSTOOD, THE RESULT IS LIBERATION.






                   SUTRA 24 ðŸ‘€


                           TAD-ASAMKHYEYA-VASAMBHIS-CITRAM API PARA-ARTHAM

                           SAMHATYA KARITVAT



                  FROM ACTIONS PERFORMED FOR THE PURPOSE OF SEEKING ULTIMATE HAPPINESS WHICH IS ONLY IN THE OTHER, INNUMERABLE HABIT PATTERNS ARE FORMED (THE PURUSHA THOUGH IS MISUNDERSTOOD TO BE FOR TEMPORARY SATISFACTION OF DESIRES).


                       SUTRA 25 ðŸ‘€


                       VISESA-DARSINA-ATMA-BHAVA-BHAVANA-VINIVRITTIH


                   SEEING THE DISTINCTION BETWEEN THE MODES OF ACTION ONE FOR SELF-SATISFACTION IN THE NARROW SENSE AND THE OTHER FOR REALISING THE PURUSHA, ONE DISCONTINUES THE CULTIVATION OF SELF-CENTRED ACTION.






                     SUTRA 26 ðŸ‘€


                     TADA VIVEKA-NIMNAM KAIVALYA-PRAGBHARAM



                SUCH A MIND THEN, IS INCLINED TO DISCRIMINATE AND IS OT FAR FROM KAIVALYAM, THE ULTIMATE FREEDOM.



                   SUTRA 27 ðŸ‘€


                     TAC-CHIDRESU PRATYAYA-ANTARANI SAMSKAREBHYAH


                 DUT TO SAMSKARAS (PAST IMPRESSIONS), HOLES ARE PIERCED IN THE OTHERWISE CALM MIND BY CERTAIN INTENTIONS (EVEN AT THIS STAGE).






                    SUTRA 28 ðŸ‘€


                      HANAM ESAM KLESANT UKTAM


                     THE CESSATION OF EVEN THESE INTENTIONS IS LIKE THE CESSATION OF AFFLICTIONS.



                     SUTRA 29 ðŸ‘€


                      PRASAMKHYANE'PI AKUSIDASYA SARVATHA VIVEKA-

                      KHYATER DHARMA-MEGHAH SAMADHI






                INDEED, FROM THAT REFLECTION, IN THE ONE WHO HAS DISCRIMINATION AND DISCERNMENT, ONLY THE CLOUD OF DHARMA SAMADHI REMAINS- THE STATE OF TRANQUILLITY WHICH IS LIKE FLOATING IN THE CLOUD OF DHARMA.


                   SUTRA 30 ðŸ‘€


                      TATAH KLESA-KARMA-NIVRTTIH


                      FROM THIS PROCEEDS THE CESSATION OF ALL ACTIONS THAT TAKES ONE WAY FROM KAIVALYA.



                              SUTRA 31 ðŸ‘€


                      TADA SARVA-AVARANA-MALA-APETASYA JNANASYA

                       ANANTYAJ JN EYAM ALPAM



                  THEN LITTLE NEEDS TO BE KNOWN BECAUSE OF THE UNENDING KNOWLEDGE ONE HAS, BECAUSE ALL IMPERFECT COVERING HAVE BEEN REMOVED.








                         SUTRA 32 ðŸ‘€


                     TATAH KRTA-ARTHANAM PARINAMA-KRAMA-SAMAPTIR

                      GUNANAM


               AND SO, THE PURPOSE OF GUNAS (MODIFICATIONS AND ATTRIBUTES) IS SERVED AND DONE AND SUCCESSION OF PARINAMA OR THE RESULTS OF ACTIONS PERFORMED IS OVER.


                   SUTRA 33 ðŸ‘€


                      KSANA-PRATIYOGI PARINAMA-APARANTA-NIRGRAHYAH-

                      KRAMAH


                     SUCCESSION OF THOUGHT FROM THE PAST KSANA THROUGH THE PRESENT INTO THE FUTURE IS TERMINATED BY THE END OF PARINAMA-RESUTLS OF PAST ACTIONS.



                       SUTRA 34 ðŸ‘€


                         PURUSA-ARTHA-SUNYANAM-GUNANAM- PRATIPRASAVAH

                         KAIVALYAM SVARUPA-PRATISTHA VA CITI SAKTIR ITI



                    THUS THE RETURN TO THE ORIGIN OF THE GUNAS, WHICH ARE NOW VOID SINCE THEIR PURPOSE, THAT OF REACHING THE PURUSHA IS OVER. THERE IS KAIVALYAM, THE "ALONENESS" OF THE PURUSHA IN ITS ORIGINAL FORM, STEADFAST IN THE POWER OF HIGHER AWARENESS, ABIDING IN THE PURUSHA'S THE SEER'S ORIGINAL STATE.




























































































































































































 

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